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Latest News – LDF 2014 | Riba Regent Street Windows Project

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Riba Regent Street, Hillgate PRSurely the aim of any shop window is to stand out? To entice, inspire and ultimately make the passer by look twice. Who better then, to achieve this than some of Britain’s most cutting edge architects?

This is the idea behind the Riba Regent Street Windows Project, now in its fifth year and this September showcasing some of the projects most stunning concepts yet. The Royal Institute of British Architects once again matched 15 leading architects with 15 of London’s most iconic stores, to create a three week installation in collaboration with London Design Festival.

Reaching across London’s Regent Street, Heddon Street and Brewer Street, involving prestigious retailers such as Topshop, Aquascutum and Longchamp, and architects such as Squire and Partners and vPPR Architects, the installation was a breathtaking display of how retail and architecture are so closely intertwined in today’s society, where the visual message is of utmost importance to any brand.

Of course it was a display that we couldn’t afford to miss here at Hillgate PR and below are some snapshots from our favourite window designs. To see all of the windows in one, head over to our Instagram account for a Flipagram of the experience.

Riba Regent Street Project 2014, Hillgate PRGant

Brooks brothers LDF, Hillgate PRBrooks Brothers

Folli Follie LDF 2014, Hillgate PRFolli Follie

Regent Street LDF Project, Hillgate PRPenhaligons

Aquascutum LDF Window Display, Hillgate PRAquascutum

Longchamp LDF Window, Hillgate PRLongchamp

Riba Regent Street Karen Millen, Hillgate PRKaren Millen

Which display is your favourite?

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LDF 2014 | A Placed Called Home

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Home by Airbnb, Hillgate PRWhat makes a house become a home? This was the question proposed to four highly acclaimed designers as part of the ‘A Place Called Home’ installation in London’s Trafalgar Square, and the interpretive answers they came up with were both intriguing and surprising.

Sponsored by AirBnB, this creative project saw designers; Jasper Morrison, Ilse Crawford, Patternity and Raw Edges take on the challenge of transforming a simple surface structure in London’s busiest square, into somewhere a person could truly belong.

From Jasper Morrison’s “House of a Pigeon Fancier; because who else would choose to live in Trafalgar Square?” to Patternity’s “Home in a much wider sense – the collective home we all share: earth” the four designs couldn’t have been more different, and said as much about the individual tastes of each designer as they did about the overall human ability to personalise the spaces we inhabit.

Here’s a closer look at the four designs.

Jasper Morrison's Home, LDF, Hillgate PRJasper Morrison

Jasper Morrison cited the important factors of any home to be quality of light and space, atmosphere, location and human content, so it’s fitting that his house creation was an ambient tranquil setting which struck just the right balance between utilising the space effectively, and allowing for a natural atmosphere to come through from the design.

Raw Edges for LDF 2014, Hillgate PRRaw Edges

Husband and wife designer duo Raw Edges set about creating a space that could switch and alter to the changing needs of a family. As self-confessed “nomads; in the past ten years we have lived in 11 different places” they wanted a home that could react to a person’s actions, rooms that could shrink and expand by sliding doors and walls that could change position. A design which would be “collapsible, foldable, shrinkable and movable”.

Patternity for LDF 2014, Hillgate PRHome by Airbnb, LDF 2014Patternity

Pattern experts and queens of thinking outside of the box, it was no surprise that design team Patternity chose to interpret home in an unusual way. Incorporating “the patterns that have and always will shape the world around us, they took patterns from all four corners of the world to create an interactive kaleidoscope of imagery, one which constantly moved and evolved to create new forms. In their words; “from the mundane to the magnificent, the macro to the micro”.

Ilse Crawford for Airbnb, Hillgate PRIlse Crawford

Studioilse, the design company from designer Ilse Crawford chose to create a space which could challenge our everyday ideals of what makes a home. Is it the familiarity of the surroundings? The smells and sounds? Or by referencing daily home rituals which may be familiar to anyone, can the feeling of home be recreated? An immersive experience using a range of different media, this home house focused on the everyday tasks that we carry out, using the sounds of a microwave ping and the essence of what home smells like to elevate the mundane yet comforting aspects of home life. “It doesn’t matter if you live in a palace or a squat, we all perform the same daily rituals behind closed doors”.

 Suddenly the idea of living in the middle of Trafalgar square doesn’t seem so bad! Which home do you prefer?

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LDF 2014 | Exploring the V&A

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V&A Museum, Hillgate PRThe V&A is always one of the main hubs of London Design Festival with an assortment of installations, displays and projects created by some top names in the design and architecture business. This year was no different and some of the more notable projects, such as the Double Space for BMW designed by Edward Barber and Jay Osgerby were created to live amongst the existing art and architecture of the eponymous museum.

We hunted down some of the most creative projects on display and below is our round up of those not to be missed.

Double Space for BMW, Hillgate PRV&A Double Space for BMW, Hillgate PRDouble Space for BMW – Precision in Motion

Barber and Osgerby (the design duo behind the Olympic and Paralympic torches for 2012) have once again aligned their names with innovative, thought provoking industrial design through this immersive sculpture housed in the grand Raphael gallery within the V&A.

The kinetic sculpture, created in conjunction with BMW aims to distort the viewer’s sense of perspective while taking in the cartoon paintings within the space. Two mirrored structures revolve at different paces, sometimes in conjunction with each other, sometimes against each other, to create a series of reflections of everything and everyone in the room. “The visitor becomes part of the room for a fleeting moment” say the duo, “inviting the viewer and the gallery to be part of the performance.”. Want to see the installation in motion? Take a look at our short video of the structures movement.

V&A Candela, Hillgate PRCandela

A collaborative project between product designer Felix De Pass, graphic designer Michael Montgomery and ceramicist Ian McIntyre, this light display brings illumination and illusion to one of the V&A’s darkest spaces, the tapestry gallery. The installation comprises of a large rotary machine which sits in the centre of the room. As the machine revolves it passes through a light source that charges its surface, in turn emitting this energy as after-glow and creating a continual ebb and flow of light, allowing a green hue to bounce around the empty room. See our hyperlapse of the experience, over on Instagram.

V&A Carousel Wall, Hillgate PRV&A Carousel Wall, Hillgate PRThe Carousel Wall

If you visit the V&A through the tunnel entrance from the underground station (and we recommend you do simply to see this) you’ll pass this collaboration between print and design Studio, David David and British manufacturer Johnson Tiles. The mural design, made up of tiled ceramic panels in a bold geometric pattern greets visitors as they enter the Museum and creates a colourful start to the bounds of creative design inside the V&A’s walls.

V&A Wishlist, Hillgate PRThe V&A Wishlist, Hillgate PRV&A Wishlist Desk, Hillgate PRThe Wish List

10 top designer names, 10 emerging talents. The Wish List offers an exciting collaboration between renowned design experience and fresh young craftsmanship. Each well-known designer has nominated and challenged an emerging artist to create that special something that they’ve ‘always wanted in their home, but never been able to find’. From a comfortable wooden seat, to a desk that can be hidden away and a seat with which to perch on and take in the view, these pieces are an amazing display of what happens when two creative minds at different stages in their career come together.

Crest by Zaha Hadid, Hillgate PRV&A CrestCrest

Before you leave the gallery, be sure to take in the tranquil setting of the John Madejski gardens and the beautiful curves of the Crest, a structure designed by Zaha Hadid specifically for the London Design Festival. We could have quite happily pitched up here with our laptops and made an outdoor office for the day, so relaxed was the atmosphere.

What did you think of the V&A exhibits during London Design Festival?

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Matisse Exhibition, Tate Modern, April – September 2014

The Snail 1953 by Henri Matisse 1869-1954Matisse at the Tate poster1Henri Matisse - The Parakeet and the Mermaid 1952

The Cut-Outs exhibition at the Tate Modern explores Henri Matisse as a pillar of modern art and alternative design.

This momentous show takes you through the final chapter of his career in where deteriorating health led him down a new creative path of ‘carving into colour’. From this, his series of remarkable cut-outs was born; a decision that arguably ensured his legacy became a household name and his style a triumph in modern design.

Blue Nude

Brief History
In his late sixties, when illness prevented Matisse from painting, he began to cut into painted paper using scissors. As time passed, and popularity for his new work increased, Matisse chose to work with these innovative cut-outs instead of painting: he had invented a new form of modern art. Initially conceived as a unified whole, London celebrates the first time in 50 years that the works have been united.

The Show
Showcasing a stunning array of 120 works made between 1936 and 1954, the exhibition allows you to get lost in his thoughts and methodology. Featuring footage of the master at work, the show illustrates each piece in detail. Daring and energetic, the cut-outs combine a simple concept with a fascinating idea. This exhibition marks an historic moment where these glorious pieces from around the world can be seen side by side.

Footage of Matisse at work

The exhibition is cleverly arranged to complement his work; The Snail 1953 is shown alongside its sister work Memory of Oceania 1953 and the exhibition boasts the largest number of Matisse’s famous Blue Nudes ever exhibited together.

Memory of Oceania 1953

     The Snail 1953

Hosted in the iconic Tate Modern, London will exhibit the collection before it travels to New York in September to the Museum of Modern Art. After this, these fabulous works will be returned to galleries and their private owners from around the world.

 

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RHS Chelsea Flower Show 2014

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Chelsea Flower Show has taken place every year (bar a few during the World Wars) since 1913 and on Friday we were lucky enough to visit this prestigious and world famous event. Battling our way through the crowds we managed to make our way around the magnificent show gardens and also experience the wonderfully vibrant displays on offer in the Great Pavilion.  Below are a few of our favourites.

On entry we were immediately struck by The M&G Garden, designed by Clive West, with its contemporary take of a paradise garden.  We are informed this is a space that uses water, shade and planting for sanctuary and contemplation and was in invented by the Persians more than 2,000 years ago.  It is certainly a place we would like to escape to!

Simplicity and relaxation were also top of the agenda for the Telegraph Garden with their take on an Italian garden.  We loved the clean straight lines of the grassed area, contrasting against the curves of the hedges and angular chairs.

We were then drawn to the jewelled colours of the delicate flowers and stone sculpture of the Himalayan Rock Garden.

Many of the gardens incorporated water features within their designs and one that grabbed our attention was the semi-circular water sculptures in the Positively Stoke-on-Trent garden. We also loved the clean lines and high tech materials used.

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Designs of the Year 2014

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Each year the Design Museum unveils its nominations for the Designs of the Year – showcasing exceptional international design which ranges from fashion and furniture to digital and graphic innovation. We couldn’t wait to head down and see the cutting-edge talent on show this year.

This year 76 nominees were chosen to present their designs. The diversity between each is astounding and truly represents the best in global creativity. Nominees include world-renowned designers as well as start-ups and university students; the diverse range of designs include ‘The Dumb Ways to Die’ app which encourages rail safety to sustainable floating schools. Some of our other favourite entries include:

The PET Lamp Project, designed by Alvaro Catalan de Ocon, makes use of discarded plastic bottles that have been washed down the Amazon River and are then weaved into lampshades.

Shoes designed by Tracey Neuls aim to be casual, dress shoes and sports shoes all in one. They are made with a piece of reflective material which turns them from classic day and work shoes into an additional safety tool for cyclists.

The Totemic Collection, designed by textile graduate Sadie Williams, consists of an array of stiff A-line dresses that are made out of a textile that she developed, known as ‘Jumbo-lurex’. Williams transformed the normally flimsy lurex by heating, printing and embossing the material.

The Lego Calendar is a wall-mounted time planner intended for a studio. Designed by Adrian Westaway, Clara Gaggero, Duncan Fitzsimons and Simon Emberton, the idea is that the colour-coded bricks represent time spent on projects. The calendar can also be programmed through smartphones to sync to online planners.

The Designs of the Year 2014 exhibition runs from 26th March through to 25th August. Category winners will be announced next month and then the overall winner chosen in May. With the immense diversity of innovative, forward-thinking design we certainly would not like to be the ones to choose a winner!

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Hello, My Name Is Paul Smith, Design Museum

Paul Smith 2_2image_2Paul Smith 15_2

Seen by many as a living, breathing embodiment of what British design is all about, it seems long overdue that Sir Paul (as he’s been known since 2000) has his very own retrospective at The Design Museum at Shad Thames. We headed over last Friday to see what more we could find out about this quirky design demigod.

Upon entering the exhibition space, we were greeted by hundreds of images of not only Smith’s work but also his inspirations – ranging from drawings and notes to magazine spreads and photos taken by Smith throughout his career. Covering the walls from floor to ceiling and stretching far down the length of the room – this entrance space acts as a real assault on the senses, the sheer size and vibrancy of this space highlighting a career that is as long as it is varied.

The exhibition invites the visitor right into the centre of the design process, providing mock-ups of studios and offices, as well as providing spaces that act as a representation of the designer’s mind. Curators have reconstructed the interiors of seminal spaces, such as his first Nottingham shop (opened 40 years ago), the Parisian hotel room where he held his first fashion showcase, as well as his personal office and studio spaces. Brilliantly chaotic in its (dis)organisation, the latter two rooms are filled to the brim with unusual objects and paraphernalia that Smith has amassed over his years in the industry, including Warhols, Hockneys and all manner of eccentric prints making several appearances throughout too.

After marvelling at the detail of these mock-ups, we got a glimpse of the ‘Collaboration’ space, where Smith’s famed collaborations with leading British and international brands were documented. Smith isn’t just a fashion designer – he’s worked on a huge breadth of products, ranging from David Bowie vinyls to tennis rackets, Mini cars, and even teapots for Thomas Goode. A diverse range of products, united by his signature playful approach to colour and pattern.

The ‘Collaboration’ space and the mock-up rooms illustrated how Smith is inspired by the entire world around him. However, it is fashion that he’s best known for, and it is the fashion that’s at the heart of this exhibition. We were guided down an illuminated corridor that served as a runway of sorts for Smith’s designs, dating back to the start of his career, which then transitioned into a darkened room where an immersive film – ‘A day in the life of a fashion show’ showcased the sheer enormity of scale for a Parisian catwalk show.

 

With ‘Hello, My Name Is Paul Smith’, the visitor is given a unique and highly personal insight into one of the giants of British design. After attending the exhibition, it felt like Smith had been in the room with us the whole time, guiding us round with his wife Pauline (to whom the exhibition is dedicated to, almost like a love letter!) Whilst some designers can often seem distant and hard to reach, this exhibition reveals the personal pleasures and inspirations of a Nottingham boy, who, even after 40 years in the industry, still gets giddy about modern design and mischievous uses of colour.

We don’t doubt for a second that Sir Paul will still be surprising us all for many years to come.

‘Hello, My Name Is Paul Smith’ is open until June 22nd 2014. 

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Pearls Exhibition at the V&A

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Last month we visited the Pearls exhibition held at the Victoria & Albert museum in London and were completely blown away!

On display were over 200 pieces of jewellery and works of art showcasing the extraordinary variety of colour and shape of natural and cultured pearls. The exhibition examined how pearls have been employed over centuries in both East and West as a symbol of status and wealth, how tastes vary in different cultures as well as the changing designs of jewellery with pearls. It really was a sensational exhibition.

A rare selection of natural pearls from the Qatar Museums Authority Collection

Most recently, we have seen a resurgence of pearl finishes influencing fashion trends from 2013 going into 2014. Just look to Alexander McQueen’s Autumn/Winter 2013 runway show featuring pearl embellished masks and fabric and Thakoon’s intricate Halloween Skull Mask made exclusively for a Vogue charity auction in October 2013. It was only a matter of time before this trend started creeping into interiors.

Designs from Alexander McQueen’s AW13 Collection

As we look to the trends for the rest of 2014, we expect to see a lot more pearlescent and metallic finish fabrics alongside in-laid mother of pearl furniture pieces. Use pearl in your home to add glamour and a subtle shimmer that will exude elegance and sophistication without being overbearing or in any way tacky. The trick is to not be afraid – pearl is a natural product with a tone that suits any interior scheme. Try introducing accessories with a pearlescent finish e.g. lighting and mirrors, this is a great way to highlight the trend in your home in an understated way.

Organised in partnership with the Qatar Museums Authority (QMA), the exhibition explored the history of pearls from the early Roman Empire to the present, and is a highlight event of the Qatar 2013 Year of Culture.

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Hillgate’s Winter Window

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With Christmas only a few weeks away (yikes!) we thought we’d get into the spirit of things with the latest Shutterly Fabulous competition. Their ‘Winter Window’ competition asks us to decorate a window in a home or office with a festive Christmas theme. Post an image of it on your blog, and let them know by either:

• Tweeting @Shutterly with the link to a post, including the hashtag ‘#shutterlyxmas’

• Post the link to the Shutterly Fabulous Facebook wall

The entries are all available to view on Shutterly’s Pintrest board – http://bit.ly/1iCm0g7 and are being judged by the lovely Zoe Brewer and Ellie Tennant

Here’s our attempt – we used Shutter samples to create a sort of ‘feature window’ and accessorised them with baubles, fairy lights, a mini Morsø stove and Yankee Candles to make it extra Christmassy. What do you think? Don’t judge us too harshly!

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LDF13 – In Conversation with Richard Rogers at 100% Design

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In between milling around stands at 100% Design, we were fortunate enough to listen to legendary architect Richard Rogers in conversation with ICON magazine editor Chris Turner.  Coinciding with a retrospective of his work at the Royal Academy, the event celebrated Roger’s most important works and examined his influences. It also explored the criticisms he’s faced as an architect, and asked what the future holds for the modern city. Here are some of our favourite moments…

  • Rogers believes that his Dyslexia, whilst hampering his reading and writing, had given him an acute sense of spatial awareness, and it was this heightened sense that makes him good at what he does.

Millennium Dome

  • Before designing the Pompidou he was mainly designing single story buildings, not too dissimilar to his famous Wimbledon house that was built for his parents.
  • Rogers explained how it was his business partner and friend, Renzo Piano, who convinced him to enter the competition for the Pompidou at the very last minute.

Pompidou Centre

  • We heard how President Mitterrand said to him at the time of building that the Pompidou would be regarded as completely French if the Parisians loved it, and if they didn’t – “we can blame the foreigners”.
  • Rogers’ primary concern at the moment is sustainability, and has huge concern about the housing crisis in London, which he describes as ‘the worst since 1945’.

Leadenhall Building

  • He also spoke about his associations with the Labour Party and working with Ken Livingstone in London. Aware of the feeling within the audience that there were a series of ‘lost opportunities’ when it came to the Labour Government and housing, he spoke at length of the success of redeveloping brownfield sites in the capital, and thinks this has to continue.
  • When it comes the future of London, Rogers predicts more bikes, with cars banned from the centre of the capital (cars will also run on oxygen!) More parks and green spaces will be cultivated as a result of a car ban, and a green ‘web’ will spread across the city.
Lloyds Building

As the conversation drew to a close, Rogers was asked which of his projects was his favourite. ‘They’re like my children, so I could never possibly answer!’ was his reply, but interestingly, he mentioned the Pompidou – his first ‘big’ project – and thought the creation of public space was particularly important.  So maybe it’s not so much the buildings he creates, but the spaces he invents that are – for him at least – his greatest legacy?

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