This momentous show takes you through the final chapter of his career in where deteriorating health led him down a new creative path of ‘carving into colour’. From this, his series of remarkable cut-outs was born; a decision that arguably ensured his legacy became a household name and his style a triumph in modern design.
In his late sixties, when illness prevented Matisse from painting, he began to cut into painted paper using scissors. As time passed, and popularity for his new work increased, Matisse chose to work with these innovative cut-outs instead of painting: he had invented a new form of modern art. Initially conceived as a unified whole, London celebrates the first time in 50 years that the works have been united.
Showcasing a stunning array of 120 works made between 1936 and 1954, the exhibition allows you to get lost in his thoughts and methodology. Featuring footage of the master at work, the show illustrates each piece in detail. Daring and energetic, the cut-outs combine a simple concept with a fascinating idea. This exhibition marks an historic moment where these glorious pieces from around the world can be seen side by side.
Footage of Matisse at work
The exhibition is cleverly arranged to complement his work; The Snail 1953 is shown alongside its sister work Memory of Oceania 1953 and the exhibition boasts the largest number of Matisse’s famous Blue Nudes ever exhibited together.
Memory of Oceania 1953
Hosted in the iconic Tate Modern, London will exhibit the collection before it travels to New York in September to the Museum of Modern Art. After this, these fabulous works will be returned to galleries and their private owners from around the world.